Lavidajuani| My Top Three Underrated movies on Netflix

So here goes my first I guess movie review or highly suggested list I only Did three because well I'm just that picky but I also know everyone has a different taste in movies than I do so after you watch these leave a comment below of what you thought about the movies I'm planning on writing about some Tv shows I really like and suggest for everyone to watch I've been poking around Netflix and well I'm glad the lists are always changing but I hope you all enjoy these movies d

Blue Ruin is low-key and authentic, and has a surprisingly comic undertone. IN fact, one of the film's conceits is that the main character, seeking vengeance against the man who murdered his parents is really really really bad at being the stereotypical resourceful "action movie guy" . He's the kind of action movie guy who accidentally slices his hand open while trying to slash someones tires and who gets outwitted by the bad guy's henchmen all the time. Director Jeremy Salinger paces the film well and the cinematography is full of the somber, saturated blues that the title suggest. Additionally, Blue Ruin has the rare kind of final twist that lends a pathos towards the story rather than seeming like some hackneyed tack-on

Electrick Children tells the story of Rachel, a girl from a polygamist colony in southern Utah. On Rachel's 15th birthday, she finds a forbidden cassette tape. Having never seen anything like it before Rachel plays the cassette tape, and finds glorious rock & roll thereupon weeks later, Rachel realized a miracle has occurred and the cassette tape must have something to do with it. She leaves her family and runs away to the closest city : Las Vegas. There she searches for the singer of the band on the cassette tape. She has a wild adventure and ultimately discovers who she really is : an ELECTRICK CHILD.

You've probably heard of Side Effects, but have you ever heard that side effects is actually good? largely overlooked on its release, Steven Soderbergh's tremendous engrossing thriller takes pleasures in throwing curve ball after curve ball. Just when it seems like none of the characters are who we thought they were, we realize all of them are-the young woman is hiding a terrible, dark secret; her psychologist is as unscrupulous as we fear him to be; her former therapist is manipulative and calculating. The same can be said for the film; at fist I was disappointed when I realized that instead of a grand statement on the damaging union of big business and Pharmacology, it was a very specific and smaller- scale mystery thriller. but, impressively, it retains the excitement and unpredictability of those B-movie genres while still making some astute observations on modern medicine- namely that when capitalism and prescription drugs hit the sack (as they do quite literally here, in one of the many unexpected twists) things get crazier than a suburban mom armed with a xanax and a bottle of wine. side effects exists in a frighteningly familiar post-ethics nightmare in which shady corporations play a shell game where the health of the consumer is nothing more than a variable to be managed. the film may make absolutely no sense from realistic, plot-hole prospective, but it is wildly enjoyable. with terrific performances, especially from Jude Law and Rooney Mara.